NEWS
TREDEGAR HOUSE FOLK FESTIVAL
Tredegar House, Newport, Gwent NP10 8YW
Friday May 18 to Sunday May 20
TIM EDEY AND BRENDAN
POWER, who play a concert at the Tredegar House Folk Festival, won
two awards at the BBC Radio 2 Folk Awards in Salford in February – and
ended up playing a jaw-dropping Celtic Thunder to the whooping delight
of the packed crowds. Tim and Brendan received the Best Duo award, and
Tim won the Musician Of The Year trophy (introduced by Cathy Jordan of
the Sligo-based band Dervish.)
Brendan, who comes from Nelson in New Zealand’s South Island, rose to
fame when he played lead harmonica in the smash-hit Irish spectacular
Riverdance. Tim, from the Kentish resort of Broadstairs, plays
breathtaking button accordion and sizzling guitar. The BBC Awards were
sold out within two hours.
Master musician MARTIN SIMPSON, who plays on Sunday at Tredegar
House Folk Festival, was nominated for two awards: Musician Of The
Year and Album Of The Year, for his acclaimed CD Purpose And Grace. He
opened the Awards Show with a rollicking Lakes Of Pontchartrain, the
wonderful accordionist Andy Cutting filling out the licks
magnificently.
The Tredegar House event is introducing some promising performers this
year. DnA are South Wales mother and daughter DELYTH AND ANGHARAD
JENKINS, from Swansea; Delyth, ex-member of amazing trio Aberjaber,
plays harp and has just released her CD, Llais, while Angharad plays
fiddle with storming young band Calan and has just taken her post as
project officer with Trac, the all-Wales folk development
organisation.
Ulster songwriter ANTHONY JOHN CLARKE is the guest of
Llantrisant Folk Club’s Saturday afternoon event, while on the Friday
night Gloucestershire trio LOXLEY head the bill, sponsored by
Newport Folk Club, with Cardiff must-see songwriters BARLOWCREE
supporting them. On the concert stage, THE HUT PEOPLE
(accordionist Sam Pirt and Beautiful South percussionist Gary Hammond)
get ready to amaze festival-goers, and THE INFINITE CHERRIES!
(14-year-old Junior Welsh Celtic Champion fiddler Dylan
Cairns-Howarth, from Aberystwyth, and 15-year-old ace melodeonist and
multi-instrumentalist Sam Mabbett) play the Saturday as support. In
the ceilidh tent, DR PRICE’S FIRE BAND whip up the dancers, with CHRIS
OATES calling.
Two Belgian dance teams - the spectacular De Kegelaar from Antwerp and
a team from the north Belgian village of Zonne - will be coming to the
festival, which also plays host to Czech dancers Valselka, Kemys from
Cornwall, Welsh teams Isca Morrismen, Cwmni Gwerin Pontypwl, Gwerinwyr
Gwent, Brandywine, Cardiff Ladies Morris, Cardiff Morris, Clocs
Canton, Cobblers Awl, Jawahir and Shoostring, and English teams The
Applejacks, Boojum and Belfagan Women’s Morris.
PORTHCAWL INTERCELTIC
FESTIVAL Cwlwm
Celtaidd Friday,
March 2 to Sunday March 4,
Grand Pavilion, Porthcawl.
FLOOK, the incomparable foursome comprising Sarah Allen, Brian
Finnegan, Ed Boyd and John Jo Kelly, will be headlining on the
Saturday night. The quartet announced their retirement in 2008, and
they only have appeared at special gigs since then. Flook’s gig is a
boost for the Festival, which has announced a list of Celtic artists,
including ELAINE MORGAN’S CIRCLE OF FIRE, BRYGYN, KEVIN DEMSEY, PAT
SMITH AND NED CLAMP, TYLWYTH TEG, OLION BYW, THE ROVING CROWS, CALUM
STEWART (of Jamie Smith’s Mabon) AND HEIKKI BOURGAULT, plus Welsh,
Cornish and Isle Of Man dancers.
LLANTRISANT FOLK CLUB
Windsor Hotel in Pontyclun, Wednesdays 8.30
Teesside master songwriter VIN GARBUTT is booked to appear at
Llantrisant Folk Club on Wednesday, March 21. Vin is just
celebrating 42 years of performing all over the globe as a solo
guitarist and whistler with a startlingly unique voice and a belt of
jaw-dropping songs. Llantrisant Folk Club is advising people to book
early.
A mouth-watering array of artists is heading for Llantrisant, starting
off with ISSY AND DAVID EMENY, with KATE RIAZ on ‘cello, on Wednesday
March 7. The Suffolk-born couple, now living in Somerset, have quickly
established a solid reputation: “Truly astonishing musicians - you’ll
rarely see better” (Tom and Barbara Brown)... "A top-class melodeon
player with a rare lyrical touch and a fine sense of harmony. Issy is
also an excellent composer of sophisticated instrumental pieces"
(Brian Peters).
On March 28, there’s a BLYDE LASSES showcase, with Shetland and
Scottish music well to the fore. Claire White is a Shetlander born and
bred, and she learned fiddle from the age of seven from the famous Dr
Tom Anderson of Da Forty Fiddlers. Frances Wilkins learned to play
English concertina in Shetland sessions, and this is her second visit
to the Club; she was musician in the Shetland trio Solan.
The exciting trio PILGRIM’S WAY are in The Windsor Hotel on April 18,
with fiddler Tom Kitching, melodeonist Edwin Bessant and
singer/fiddler Lucy Wright. The Irish-American traditional singer and
writer SARAH MCQUAID plays the Club on April 9, and larger-than-life
double-bass player AL PARISH, from the late lamented Canadian band
Tanglefoot, flies in for a tour on May 23.
GOWER FOLK FESTIVAL
Friday June 8 to Sunday
June10
Gower Heritage Centre,
Parkmill,
Top Quebecois band LE VENT
DU NORD are the Saturday night highlight in the Gower Folk Festival.
They join an exciting bill which includes THE JACKIE
OATES BAND, THE DAMIEN O’KANE TRIO and LADY MAISERY (Hannah James,
Hazel Askew and Rowan Rheigans. HERETIQUE play the Friday night dance,
and THE OLD DANCE SCHOOL are on Sunday afternoon. BELLE RENDEZVOUS,
JAMES FINDLAY, MAGGIE BOYLE with PAUL DOWNES, TYDE, LES SOURIS DANSENT,
DNA, LIZZIE NUNNERY, RACHEL NEWTON & LILLIAS KINSMAN-BLAKE, HELEN
VINCENT and CAROLE ETHERTON & ANDREW MACKAY complete the line-up.
South Wales band ALLAN
YN Y FAN are off on a Welsh and English tour, promoting their new
Steam Pie CD Pwnco, with funding support from the Arts Council of
Wales. Allan Yn Y Fan, with support from Celtic harper Delyth Jenkins,
who is also promoting her Steam Pie CD Llais, played the Tredegar
House Folk Festival benefit concert on February 25, and the tour
commences at Chapel Arts Centre, Bath (April 15), Theatr Soar, Merthyr
Tydfil (April 20), Theatr Felin Fach Dyffryn Aeron (April 27), Lyric
Theatre, Carmarthen (May 5), Aberystwyth Arts Centre (May 11),
Blackwood Miners’ Institute (May 12), Swansea Grand Theatre Arts Wing
(May 16), Richard Burton Theatre, Royal Welsh College of Music and
Drama, Cardiff (May 17), Theatr Colwyn, Colwyn Bay (May 18), Canolfan
Ucheldre Holyhead (May 19), Neuadd Dwyfor Pwllheli (May 25) and The
Welfare, Ystradgynlais (May 26).
CLERA, the Society
for Welsh Traditional Instruments, has been awarded an Arts Council of
Wales grant to run an extensive series of tutoring sessions from March
1st this year. The sessions will raise the profile of Welsh music in
the lead-up to the WOMEX World Music Conference and Exhibition which
will be held in Cardiff in 2013.
Meurig Williams, the Clera organiser, said: “Thanks to the Arts
Council grant, participants across Wales will be able to have two
hours' worth of tuition from leading Welsh traditional musicians for
just £7.50. The half-day classes will run on Saturdays, either in the
morning or the afternoon, and we intend to arrange a traditional
session of Welsh music after each workshop.”
Meurig said that about 40 workshop sessions will be involved. He
added: “Although Clera focuses on the traditional Welsh instruments
such as the harp, the fiddle, the pibgorn, flute, whistle and pipes,
we also intend to collaborate with Trac to include more modern
instuments such as the melodeon, accordion, concertina, guitar,
mandolin and banjo. We are also inviting the other traditional Welsh
folk song and dance societies to add a class of their own.”
Clera are currently arranging venues across Wales, some of which will
be at exciting and well-known settings, including the National Museum
of Wales at St Fagans, the National Waterfront Museum at Swansea and
the Tegeingl Festival at Mold. Meurig said: “Wherever possible, we
would like our classes to enhance other public events which have a
wide audience through live performance of our traditional Welsh
music.”
Meurig said that Clera aims to provide classes which are within reach
of players across the whole of Wales. He added: “We expect to use
local community halls and learning centres as well as the larger
locations. If you think there is a venue or suitable event near you
which could host one of our workshops, or if you would like to help
with the organisation or join some of the workshops, please get in
touch at
cleraworkshops@meucymru.co.uk”
Welsh “Queen of harps”
CATRIN FINCH teams up with fantastic kora player TOUMANI
DIABATÉ, from Mali, for a five-date tour around Wales which kicks
off at Cardigan’s Theatr Mwldan on Monday, March 26.
From the producers of recent smash-hit projects - which included
Catrin and CIMARRON, a highly successful collaboration which she
toured with the Columbian harp-based band three times - comes another
stunning music collaboration featuring two world-class virtuosi. The
event will launch at Cardigan before going on tour to Theatr
Brycheiniog in Brecon (March 27), the Royal Welsh College of Music and
Drama, Cardiff (March 28), the William Aston Hall, Glyndwr University,
Wrexham (March 31) and Taliesin Arts Centre in Swansea (March 30) as
part of a five-date tour of Wales. The RWCMD concert is co-promoted by
RWCMD, Theatr Mwldan and Chapter Arts Centre, and the whole tour is
supported by the Welsh Government and the Arts Council of Wales. See
full details in the Folkwales Listings and read the Folkwales
Catrin-Toumani feature in this issue.
North East Wales dance
festival Gŵyl Cadi Ha will be held
in Holywell High Street all day from 10am on 28th April. Children from
many local primary achools and adult dance groups will join Welsh
dance team Dawnwyr Delyn from midday until 1pm in the street. After
lunch and a session at a pub in the town, adults will dance at Caerwys
Square between 3pm and 5pm. A twmpath is being held in St. Mary's
Church Hall, King's Street, Mold from 8pm.
New internet community
radio station GBK Radio has started broadcasting from Ystrad
Mynach with the main intention of serving the Caerphilly County
Borough area, and David Chamberlain will be presenting Acoustic Routes
every Monday night between 9 and 11pm. David said: “I would like to
feature new and unsigned bands or artists on the show. If anybody
feels that their music would fit in with the show, then they are more
than welcome to E-Mail MP3s to me at
acousticroutes@btinternet.com."
The radio station has been set up in conjunction with Great British
Kids, who are developing a safe social networking site specifically
aimed at children. For more information visit the
Great British Kids
website.
Liverpool-born songwriter
ALUN PARRY, who has family connections in Wales, will release
his single The Dirty Thirty on March 12, the anniversary of the
official start of the year-long Miners’ Strike. The Dirty Thirty tells
the heroic story of 30 Leicestershire miners and their families. These
were the only miners in the whole of Leicestershire to come out on
strike. Their opponents branded them The Dirty Thirty, a name they
proudly took for themselves. Alun said: “It is a story of great
courage. I have since met a number of those involved, most notably
Malcolm Pinnegar who is mentioned in the final verse of the song.”
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OBITUARIES
Dick Heckstall-Smith, seminal blues/jazz saxophonist who was
brought up in Wales, has died after a battle with cancer, aged 70.
Dick, who was born in Ludlow, Shropshire, was initially attracted to
the saxophone by the sound of the instrument, and and his father gave
the 15-year-old an alto sax. He played with other bands, including
Alexis Korner’s Blues Incorporated, The Graham Bond Organization, Jon
Hiseman’s Colisseum and together with Welshman and master guitarist
John James.
Len Berry, who sang
with his wife Barbara in the popular folk-club duo The Portway Pedlars
and recorded an album, died on Christmas Day, aged 82. Len and Barbara
ran a folk club in Kirklington, Oxfordshire, but moved to Chirk,
Wrexham some years ago.
Len and Barbara recorded the songs of Oxfordshire as collected by
Alfred Williams – In Greenwood Shades - on Joe Stead’s Greenwich
Village label. Barbara had written the music to the words of the poem
I Wandered By A Brookside, and the song was later recorded by both
Fairport Convention and the late Eva Cassidy among others and brought
a well-deserved accolade to the Berrys, albeit late in life. They were
still active on the local folk scene until about five years ago. Len’s
son, Bob, is the organiser of Chippenham Folk Festival.
Tony Goldsmith, the
pianist who played in several South Wales venues (including Pontardawe
and Llantrisant Festivals) with the blues/goodtime/Americana duo
Pigfoot, died on January 19 after a long battle with cancer, aged 65.
Gravel-voiced singer Dave Illingworth writes:
“Born in Dorset, then
living in London and Wiltshire, Tony was an annual visitor to South
Wales folk clubs with Pigfoot. He started playing in the 1960s, and
Pigfoot was formed in 1984 in the Fuddling Folk Club in Hampton Wick,
West London, near where he was living at the time. Performing
initially as a duo (with me on vocals) the line-up was often augmented
by various talented musicians, including Dick (Patrick) Ellis on
harmonica, mandolin and guitar, who is still living and playing music
in Swansea.
“Thanks to Cas Smith of
the Valley Folk Club, Pontardawe, their very first full folk club
booking was at the Ivy Bush in 1986. Over the next seven years made
regular visits to that venue, plus gigs at Llantrisant Folk Club,
Gorseinon, Newport, Llanrhidian, and Llandeilo. They also played
festivals at Llantrisant, Swansea (Fringe) and Pontardawe (1986 and
1987). At the latter the duo formed part of the very first “live”
version of Les Barker’s Mrs. Ackroyd Band.
“Tony moved to Devizes,
Wiltshire in 1989, which meant far fewer Pigfoot gigs but no halt to
his musical activities. Firstly he was reunited with an old friend ,
the late Alan Briars (then organiser of Trowbridge Village Pump
Festival) in two bands, The Jelly Roll Boys and Tinker’s Cuss. After
Alan’s death, Tony was involved in several bands, the most folky being
The Blue Lizard Kings, playing a mixture of Irish tunes and old jazz
standards. Pigfoot reunited for visits to folk clubs in Llantrisant
and Newport (2000) and Pontardawe (2008) and recorded 18 tracks (as
yet unissued) in Wiltshire in 2010. The last Pigfoot gig was in
October 2009 at the Severn Sailing Club, Bredon’s Norton,
Gloucestershire. Tony’s last performance was with Blue Lizard Kings in
July 2011 at Marlborough Jazz Festival.
“He was a very gifted
pianist, although extremely self-effacing and self-critical. He was at
his best on a slow blues or lively boogie, but equally at home on
Irish jigs and airs. His love of old-time jazz “stride” piano meant he
was probably the only person playing that style in folk clubs. He was
also an enthusiastic music organiser, heavily involved in the Devizes
Fringe Festival and the weekly music in the Cellar Bar of the Bear
Hotel, Devizes. There was a large attendance at his funeral, where
several of his musical associates played and sang some of his
favourite pieces. A memorial gig will be held in Devizes in March, in
aid of Cancer Research.”
Cheshire Mudcatter,
traditional singer, musician and Bollin Morris member Helen Jocys
died on Christmas Day, aged 80. Helen played melodeon and accordion
and was the founder of The Marmalade Band, a group of ladies who would
gather at her house on Saturday mornings to sing, play and eat
breakfast of toast and marmalade. Her son, John, said: “Mum was always
looking for fun and any chance to sing or play in a session. A couple
of years ago at Shrewsbury Folk Festival she woke me up beyond
midnight after a particularly heavy day of sessioning. Mum had heard a
music session kicking off and wanted us to join in. It was well past
4am when we eventually gave up.”
Cesária Évora, the
“barefoot diva” who sang the beautiful, sad, syncopated Mornas
tradition of her native Cape Verde Islands, has died, aged 70. Mornas,
which blended Portuguese fado, Brazilian modinhas, the laments of
Angola and the shanties of British seafarers, were about love,
emigration, and homesickness.
Cesária was born in the
red-light district of Mindelo, and her first love was called Eduardo,
a sailor who taught her the Mornas he knew; however, he sailed away
for Europe and never returned. She sang barefoot to sailors and
tourists on cruise ships, her pay a handful of escudos, or a cigarette
and a sip of cognac.
When she was 47, tape
recordings of her work reached Lisbon. Three years later, a
grandmother now, she was the toast of Paris, la diva aux pieds nus; a
year after, in 1992, she produced the album, Miss Perfumado, that
earned her five gold records. A Grammy came in 2003 for her album Voz
d’Amor, and the Légion d’Honneur in 2009. Cesária recorded eight
albums in her life.
Larry Butler, the
only person in Nashville history to win an all-Genre producer of the
year Grammy, died of natural causes at his home in Pensacola, Florida.
He was 69.
Janey Buchan, who
has died at the age of 85, was a cultural and political activist in
the fiercest tradition of Glasgow's working class. Though she came to
be on first-name terms with artists such as Pete Seeger, Ewan MacColl
and Billy Connolly, and politicians of the stature of Willy Brandt and
Nelson Mandela, she never compromised her egalitarian beliefs or her
lifetime's commitment to encouraging the young and disadvantaged.
Her reputation in 60 years of public life, as a Strathclyde councillor
(1974-79), member of the European parliament for Glasgow (1979-94) and
wife of a Labour MP and minister, Norman Buchan (who published a book
on Scottish traditional music), also rested on great acts of kindness
and generosity to friends and those in need of help, in organising,
fundraising or finding a bed for the night. Aid was often provided
amid music, much laughter and drink, though she never drank or smoked
herself.
She was an active anti-apartheid campaigner whom Mandela embraced when
she welcomed him to Strasbourg, and she was a supporter of CND and
opposed social injustice in all forms. She was an early supporter of
gay rights and effective HIV/Aids treatment in an unsympathetic city.
Yet for many in Glasgow, Janey, Norman and her brother, Enoch Kent (a
member of legendary Scottish trio The Exiles) were primarily champions
of folk music and the revival of traditional Scottish music.
When Seeger finally got his US passport back in 1961, after being
blacklisted during the McCarthy era, Janey booked the 4,000-seat St
Andrew's Hall for his sell-out concert. Family legend has it that she
declined to do the same for an unknown called Bob Dylan whose music
and behaviour she disliked. She said Dylan had made an unauthorised
adaptation of Dominic Behan's tune of The Patriot Game to write God On
Our Side.
The Buchans kept an open house for visiting musicians, and the vast
9,000-book library helped to educate young Scottish singers such as
Archie and Ray Fisher, and Connolly. MacColl, Martin Carthy, Jeannie
Robertson, Jimmy McBeath, Karl Dallas and Woody Guthrie's sidekick
Cisco Houston were among the guests. When Janey became an MEP, she
spread EU cultural funds around among theatres and other worthy
artistic causes. A pillar of the Scottish Arts Council, she was
credited with giving the film director Bill Forsyth an early break.
Janey met her husband, a Glasgow University student four years her
elder, in the Young Communist League in 1940 and they married when he
was demobilised after the second world war in 1946. Norman helped
inspire the People's Festival, the earliest fringe events at the new
Edinburgh festival, from 1949 to 1953. In the process, Joan Littlewood
and the stage designer John Bury became family friends, with the
entire Theatre Workshop company sleeping in the Buchans' tiny flat
after their van broke down touring the Fife coalfields.
Veteran guitarist and
singer Johnny Silvo died in December after a short illness,
aged 75. Last November, he cancelled his tour after he was diagnosed
with cancer of the kidney and lung.
Johnny performed in British folk clubs for more than 45 years. His
wide-ranging repertoire, which spanned traditional and contemporary
British and American folk songs, blues, jazz and country, enjoyed
great popularity in the 1960s and 1970s. Although his style of playing
had been out of fashion for some years, Johnny nevertheless had a
loyal fan base, and he continued to be booked by a regular circuit of
folk clubs and venues where audiences adored his fine, warm singing,
accomplished guitar accompaniment and entertaining and humorous shows.
Born John Woods in Wimbledon, south-west London, Johnny was the son of
an African-American soldier who was serving in Ireland, and his
unmarried County Mayo girlfriend, who fled to London to have her son.
She was killed in wartime bombings, and young Johnny was placed in a
Barnardo's home in Kingston Upon Thames. He moved to another
Barnardo's home, the William Baker memorial technical school for boys,
known as Goldings, in Hertford, where he was school captain.
In National Service days, Johnny signed on as a regular soldier so
that he could become a physical training instructor. He bought a
guitar while in the army, and he sang jazz, skiffle and folk in the
evenings. He joined the Mike Peters Jazzmen, also guesting with bands
led by Monty Sunshine, Dick Charlesworth and Bruce Turner, and he
changed his name to Silvo – a variation of the Latin word for wood or
forest.
Johnny appeared solo in nightclubs and restaurants, singing pop
standards as well as jazz and folk. His repertoire and style were
ideally suited to the entertainment end of the emerging folk scene,
and soon he was singing in folk clubs across the country. He formed
the Johnny Silvo Folk Group, one of whose members was the bass player
Dave Moses. Johnny and Dave formed a duo which toured Europe, North
and South America and Africa, and made several recordings.
Although the duo with Dave continued off and on for many years, Johnny
established his solo career from the mid-70s onwards, with several
albums. In 1999 he recorded Blues in the Backyard, a joint album of
classic blues songs with Diz Disley, for the Fellside label, plus many
TV and radio dates.
Johnny was touring in Norway when he met Berit, whom he married in the
mid-1980s. He moved to Stavanger, Norway, returning regularly to tour
British folk clubs and festivals. His most recent album, I'll Fly Away
(2006), was released on the Folksound label and included the popular
Midnight Special.
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