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Catrin Finch
and Toumani Diabaté: Tour around Wales |
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Q&A:
Catrin answers the questions
FOLKWALES asked Catrin:
Q: How long have you been playing the harp?
A: Too long! I started playing when I was six, and
now I am nearly 32 - so that makes it 26 years. Scary!
Q: What have been the highlights of your career?
A: So many. I have memories of concerts all over the
world, and in the strangest of places - from a huge ballroom in a
hotel in Lebanon, to the Grand Palace in Thailand, to a tiny little
art gallery in North Dakota, USA. Sometimes the small concerts in
local halls and for small music clubs can be the most memorable
because of the audiences and wonderful people you get to meet. But
playing in a hall, such as the Carnegie Hall in New York, is always
a highlight, as is somewhere like the Wigmore Hall in London. Being
appointed harpist to HRH the Prince of Wales has to be a highlight,
and the recordings I’ve done over the years for Sony Classical and
Universal/Decca/DG, and having a chance to work with artists such as
Bryn Terfel, Karl Jenkins, James Galway - the list is long and ever
growing. Many happy memories of wonderful concerts and
opportunities.
Q: Tell us about the Acapella Studio and listening
space.
A: We purchased the old Horeb Chapel in Pentyrch in
2005 after I became fed up with having various young bands and
musicians hanging around the back of our house, where my husband
Hywel’s studio was at the time! We were keen to start a family and
get settled here so it became obvious that we needed to find a new
studio, and it just so happened that the Horeb chapel in Heol y
Pentre, Pentyrch (just North of Cardiff) closed just as we were
looking. And although we did not bid for it in the auction, it came
to us eventually and we started work on converting it straight away.
It was opened officially in 2007 and has since been growing and
developing.
Q: Any events in Acapella in the near future?
A: Yes - a couple of concerts in March, including a
talent contest that Hywel is launching, and probably more - once we
get round to organising them properly!
Q: You are “queen of harps” in Wales, and Toumani is
the master of the kora; I’d like to say that they are of the same
family, but would you agree?
A: Definitely. The harp and Kora belong in the same
family of instruments and the technique of paying the two is
actually very similar. I have never played with a Korabefore, but
I’m sure the sounds will mix very nicely and at times, maybe even
sound like the same instrument. We’ll find out!
Q: What can the audience expect in a Finch-Diabaté
concert?
A: I’m not sure myself! This will be an entirely new
venture, and I have yet to meet Toumani, let alone play with him! It
is exciting when you embark on working with a musician - and when we
meet for the first time with our instruments, the challenge will be
to get our ideas flowing and create a sort of working harmony in
which we can both express our musical ideas and find out in which
direction they will go. There will be Malian music, Welsh music and
possibly some western classical music - but how it will sound is
unknown at the moment, until we actually sit down a few days before
the concerts to discover what we will play and perform. |
“Queen of harps” Catrin Finch teams up with stupendous Kora
master Toumani Diabaté for a mini-tour of Wales, which launches at Theatr
Mwldan, Cardigan, on March 26 before going on to Brecon, Cardiff, Wrexham
and Swansea.
From the producers of recent smash-hit projects (including
Catrin and Cimarron, a highly successful collaboration which Catrin toured
with the Columbian harp-based band three times) comes another stunning
music collaboration featuring two world-class virtuosi. The event will
launch at Cardigan before going on tour to Theatr Brycheiniog in Brecon
(March 27), the Royal Welsh College of Music and Drama, Cardiff (March
28), the William Aston Hall, Glyndwr University, Wrexham (March 30)
and Taliesin Arts Centre in Swansea (March 30) as part of a five-date tour
of Wales. The RWCMD concert is co-promoted by RWCMD, Theatr Mwldan and
Chapter Arts Centre, and the whole tour is supported by the Welsh
Government and the Arts Council of Wales.
Catrin and Toumani are from two very different cultures -
in contrast to the green mountains of Wales, the
landlocked and mostly
flat southern Saharan nation of Mali is one of the poorest in the world,
yet produces some of the most sublime music on Earth. The harp occupies a
vital place in the incredibly rich culture of both nations. The West
African harp, the Kora, is made from a dried gourd and fishing line;
Catrin’s harp is one of the most iconic symbols of a nation steeped in
music.
Dilwyn Davies, Director of Theatr Mwldan and co-producer of
the project, said: “What a unique and exciting project this is - we are so
privileged to welcome such a distinguished musician as Toumani to Wales
to play with Catrin, one of our own most celebrated artists. Audiences
will be incredibly lucky to have the opportunity to experience what we
believe to be a world music first between the nations of Mali and Wales.”
Toumani is one of Africa’s most important musicians and
widely considered to be the world’s finest living kora player. A performer
of exceptional virtuosity and creativity, his pedigree goes back through
71 generations of kora players, from father to son. He has collaborated
with Damon Albarn of Blur and the Gorillaz, Taj Mahal, Bjork and the late,
great Ali Farka Touré, with whom he won a Best Traditional World Music
Album GRAMMY Award in 2006.
Catrin is one of Wales’ leading international musical
ambassadors. She was Royal Harpist to the Prince of Wales from 2000 to
2004, and her concert appearances with the world’s top orchestras span the
globe. She has worked with artists including Bryn Terfel, Sir James Galway
and Julian Lloyd-Webber. The Catrin/Toumani tour is a co-production
between Theatr Mwldan, Astar Artes and Chapter Arts Centre.
For full details of Catrin/Toumani dates,
visit Folkwales Listings
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