YOU SAY....
           
          
          Morris dance is a Welsh and English 
          mix
          
           
          
          Mike Greenwood scores a very relevant point in his Dancewales column 
          (March, 2012). Morris dancing is perceived by the English as an 
          English tradition, which is largely the historical fault of 
          fire-and-brimstone religious beliefs which prompted Bardd y Brenin, 
          Edward Jones, to declare with great sadness that Wales, which had been 
          one of the merriest of places, “has now become one of one of the 
          dullest.” The story goes that dance researchers called on a lady who 
          had the reputation of knowing the Welsh dance traditions; before she 
          demonstrated some dances, she drew the curtains to keep her out of 
          sight of the disapproving neighbours, who regarded Welsh dances as the 
          work of the Devil. 
          
           
          
          Mike identified the Vale Of Glamorgan as the place where forms of 
          Morris dance still lingered. In the village of Ystradowen, there was a 
          historical description of 12 men and women, gaily decked out with 
          ribbons, who performed what can only be described as a Morris dance. 
          In West Glamorgan, teams of “Merry dancers” accompanied the Mari Lwyd 
          ceremony. Right now, the Nantgarw fair dance Rali Twm Sion smacks of a 
          processional Morris dance, as do Dawns Y Blodau and Gŵyl Ifan. 
          
           
          
          Even that unusual eight-man Nantgarw Morris dance, Y Caseg Eira, has 
          its origins in the pottery city of Lichfield. There’s a story of the 
          Lichfield potters working at the Nantgarw pottery; the Lichfield 
          tradition is very similar to the Nantgarw tradition, and the Nantgarw 
          solo dance Dawns Y Marchog (in which the dancer dances to all the 
          points of the compass) is strikingly similar to the Lichfield dance 
          All The Winds. 
          
           
          
          But in England, knowledge of Welsh traditions and folklore is 
          absolutely zilch. The English regard Wales as a closed book as far as 
          dance and folk traditions are concerned. What is sorely needed is for 
          the Welsh Folk Dance Society to cooperate with serious dance experts 
          such as Dawnswyr Nantgarw or Cwmni Caerdydd to write a history of 
          Morris dance in Wales; and there might be a few surprises along the 
          way!
          
           
          
          PAUL JONES
          
          Cardiff 
           
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